Battle tank ascii text art
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The major focus into classical mediums indicates Ćosić's possible interest in the historical aspects of art. Ćosić had made a series of short animated sequences form various films and TV series going from Star Trek to King Kong, while in addition, constructing photographs of classical art such as Venus, Lascaux, and more. Another depicting a scene from the pornographic movie Deep Throat, remade as Deep ASCII. Some of his more notable works were made from scenes from classic films including ASCII History of Moving Images in 1999, portraying a scene from Alfred Hitchcock's film Psycho. The sources of many of the images are instantly recognizable, such as Cézanne's Card Players and Warhol's Campbell's Soup. Ćosić borrowed both iconic and lesser known images, reducing them to resemble the kind of pictograms found on lavatory doors.
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Ćosić has put together a retrospective of some of his net.art, including various images from History of Art For Airports. Short sentences or paragraphs relevant to his work are often briefly summarized through few fragments of text in ASCII form. He created his own software to convert the pixels from still and moving images into ASCII, and he has also experimented with audio and camera movement being transcribed through ASCII. Ćosić uses ASCII characters (American Standard Code for Information Interchange) to form images or videos. The most notable venues, among many others, include Videotage, Hong Kong Media Artlab, Tel Aviv Venice Biennial MIT Medialab Walker Center, Minneapolis Postmasters, NYC Kunsthalle, Vienna LAMoCA, Los Angeles ICA, London and Beaubourg, Paris. He is a co-founder of Nettime, Syndicate, 7-11, and Ljubljana Digital Media Lab. Out of this came History of Art for the Blind, ASCII Unreal (an art game), ASCII Camera, ASCII Architecture, Deep ASCII and ASCII History of Moving Images, a history of the cinema converted into text format. One of the pioneers of net.art, Ćosić became deeply interested in ASCII code during a long period of research (1996–2001) on low-tech aesthetics, the economy, ecology and archaeology of the media, on the intersections between text and computer code, on the use of spaces in information, its fluid nature and infinite convertibility. His constantly evolving oeuvre is characterized by an interesting mix of philosophical, political, and conceptual network-related issues on the one hand, and an innovative feeling for contemporary urban and underground aesthetics on the other. He is well known for his challenging, ground-breaking work as a pioneer in the field of net.art. Vuk Ćosić ( Serbian Cyrillic: Вук Ћосић born 31 July 1966) is a Slovenian contemporary artist associated with the net.art movement.Īctive in politics, literature and art, Ćosić has exhibited, published, and been active since 1994.